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You worked with Schlaich Bergermann and Partner from Stuttgart, one of the most expert studios in the field of bridge engineering.
I didn't know them at all. My contact was Mike Schlaich, with whom I discussed the technical possibilities. My idea of a spiral was inspired by the Slinky, the toy developed in the 1940s. Right from the start the two main elements were a black spiral and a colourful band for walking on that went through the spiral. We tried to make the spiral itself structural. Of course, that was a paradox as I'd chosen the spiral precisely because it's a very un-structural object. Despite our efforts, we had to give up on the idea because the spiral became such a monster in order to become structural. I insisted on the walkway running through the spiral and in the end Mike Schlaich came up with a structural solution: a slender, nine-centimetre-thick so-called Spannbandbrücke, which is a kind of upside-down suspension bridge. The aluminium spiral looks flexible, stressing that walking over the bridge is not just about going from A to B. You have other choices. It was more about combining the two spots on either side of the river with a certain kind of experience. (from Domusweb)